This little travel bass is built to fit on an airplane but has extra features like a built in headphone amp that make it perfect to play wherever you are. Sometimes on the road you need killer sound, substance and looks; the Stingray delivers just that.
Even though they might have had guitarists in mind when they came up with these basses, they have a LOT to offer lowend players. It should come as no surprise that the most common bass we see is still the trusty Fender.
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Fishing Season : River To Ocean. Nexelon inc. Daft Punk spawned a zillion vocoder-pop wannabes, and their Coachella appearance is ground zero for the recent EDM explosion if anything is. On Discovery , they simultaneously parodied and honored radio cheese from the Seventies and Eighties and came up with jams to heat up your boogie nights and massage your waterbed soul. Legendary Chicago imprint Trax Records wasn't the first house label, but it was undoubtedly the biggest and best, and this hefty collection one DJ mix and two CDs of full tracks rolls out one low-budget, louche late-Eighties classic after another.
Any good DJ should be able to play anything. But it takes a truly great one or two to play everything — and make it all sing. The secret of this hour-long thrill ride, piloted by Belgian bros Steven and David Dewaele of the band Soulwax, is that instead of being trippy and expansive, it's as reductive as punk — and driving and exciting in the same way.
Building on a bed of early-'00s electro, the Dewaeles traverse pop history, from the Velvets to Dolly Parton , Skee-Lo to the Breeders. It remains an instant party-starter and proof that even Girl Talk has roots. The album that soundtracked a jillion car commercials: After being the biggest presence on the US rave scene throughout the Nineties, Moby enjoyed an unlikely mainstream breakthrough by marrying ambient beats to old gospel and blues samples. Moby even shows off his sense of humor on "South Side," an empathetic song about white kids trying to fake it real on the rough side of town.
The genius of Play came in Moby's ability to transfer the grandeur and scope of rave to dinner parties and bedrooms. Play was one of the first big pop albums to sound like it was built solely on an iMac, but its soul and beauty, its steady-rolling piano flow and 3 a.
For many dance artists, the real mark of acceptance isn't headlining a huge festival like Electric Zoo, but getting a Carl Craig remix. Maybe the most consistently brilliant and widely respected of Detroit's many great producers, the multi-aliased Craig is startling in his range and longevity. Sessions is a double-fistful of goodies the CD is mixed, the digital has full tracks — your choice , and an ideal intro to a producer who never stops surprising.
Techno was born in the mid-Eighties in Detroit, where visionary producers Juan Atkins, Kevin Saunderson and Derrick May fused Kraftwerk , Afrika Bambaataa 's electro and Chicago house with a sci-fi futurism to come up with a sound that reflected the austere decay of post-industrial Detroit just as Motown's bright, assembly-line grooves had reflected the city in its optimistic prime. Throw on this survey of Atkins' foundational techno label Metroplex and you can watch the music come into its own — from the interplanetary funk odyssey of Model 's "No UFOs," which journeys light years beyond Bam's "Planet Rock," to Cybertron's "Clear," where the vocals sound like George Clinton crossed with Darth Vader.
Decades later, the coolly percolating blips, Casio salsa-setting grooves and robo-B-Boy vocals still sound like a freaky alien landing. Tom Rowlands and Ed Simons' game-changing second album had a simple conceit: what if dance music hit as hard as the fiercest hip-hop and rocked with the visceral force of your favorite guitar banger? And they nailed it.
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